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Dec 27, 2018
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Mulan premiered on June 5th, 1998. Lauded by audiences and critics alike, the film was a huge success, earning nominations for two Golden Globes and an Academy Award. Decades later, it remains one of the most beloved Disney classics of all time. This past autumn, Gallery Nucleus proudly celebrated the film with a tribute exhibition for Mulan’s 20th anniversary. The enthusiastic response to this exhibition is a testament to its beautiful storytelling, iconic characters, and empowering message that is sure to inspire generations to come. We spoke with brothers Tony Bancroft (co-director of Mulan), and Tom Bancroft (supervising animator on Mushu) about their thoughts on the exhibition and the film all these years later. Tony Bancroft Tom Bancroft Tony Bancroft: Everything! I was a first time director on Mulan. When I was asked to co-direct the movie with Barry Cook, I was 27 years old. I came out of animation at Disney but there were many departments that I had never worked with yet. I didn’t know a lot but I was passionate about making a difference. The thing that made it work for me was the awesome crew of hugely talented artists of the Disney Florida Animation Studio. They were the best people I have ever worked with.
Tom Bancroft: Everything. There were so many firsts for our Disney Florida Studio, for me personally, and even for our family on that film that my head was reeling constantly. My twin brother was made my boss, I was a first time supervising animator and designing a Disney character for the first time, and our studio had its first feature film we were making all by ourselves. Every department had new supervisors taking on greater tasks than they ever had before. To say we were excited is an understatement, and I think its one of the "mystery" elements that still makes the film special.
What did you love about working on the film? Tom: The crew. I loved collaborating with all the artists- with most of us growing up together (artistically). I loved working with my head of clean up to fine tune Mushu's design, and every scene of Mushu that my team animated was a surprise. Also, teaming up with peers like Mark Henn, Barry Temple, and Aaron Blaise on scenes where Mushu interacts with Mulan, Kri-Kee, or the great ancestor were real highlights.
Tony: Two things: The crew and the story. The crew were so passionate about making their work the very best they could- it was inspiring for me. There was such hard work and care put into each and every frame by our team. And the story of Mulan was something that I felt was engaging and important. I think we all felt that it could be a game changer not only for Disney, but also for the world.
We had such an enthusiastic response to the 20th Anniversary Tribute Show. Why do you think Mulan is still so beloved after all this time? Tony: I think it endures all these years because its a story with a lot of impact on peoples lives. It teaches the lesson to be true to who you are, no matter what others say you should be or do. It also questions a woman’s role in a society that was known to keep them down. Our society and the generations that have grown up with Mulan, believe in and are changing the world because of these valuable lessons. I think it had to be said, back then and now. Plus, it’s a lot of fun.
Tom: For one, this was one of the first big American animation releases that focused on Asian culture. Come to think of it, not a lot have been done since either. I will never forget, about 6 months before Mulan was released, a Chinese-American dad came up to me and told me how he couldn't wait to share this film with his young daughter. He boldly told me he was ashamed at how his country had treated women for so many centuries. He said this was the only story he knew of from his childhood that celebrated a brave Chinese woman. He wanted to share his love of Disney and his pride in his culture with his daughter in a positive way. I still think of that dad and I’m proud to say we we gave him the film he wanted so badly.
Going off of that, in many ways, Mulan subverted the typical “Disney Princess” model of her time. What are your thoughts on the ways in which the film challenged traditional gender roles? Tony: It was all about gender roles! In some regards we played with this in a comical way (“A Girl Worth Fighting For”) and in other ways in heartfelt ways (Mulan’s “Reflection" song) but either way, we dug deep into the topic of what traditionally was a women’s and what was a man’s role especially in China during that time period. But the impact is felt by the audience who, no matter what time or place, can relate with Mulan and her feelings of not being able to be who she is inside. She’s one of the only Disney “princesses” that doesn’t change through the journey of the story. Her change comes by changing who all of China views her as a woman. Tom, you’ve worked on so many Disney classics over the years (Aladdin, The Lion King, Pocahontas, Tarzan... the list goes on!). How did your experience on Mulan differ from the other films you've worked on? Tom: So many Disney films are just plain fun. Entertaining. Only a few have touched people in a deeper way. I know I was working on all the sections of the film that were meant to be funny (working on Mushu), but as a young father at the time, I walked away from the experience surprised by the heart of the film. It hit me sometime after we released the film that it wasn't the humor that I was most proud of, but the fact that we had reintroduced the word "honor" back into society. Especially American culture. Honoring your family and your important place in that family is something I want my children to always hold on to. What excites you about the future of animation, and the types of stories being told? Tony: What excites me about the future of animation is the never-ending exploration into the medium and the kinds of stories we can tell and involve audiences in. I’m equally excited to see more and more women joining the talent pool of creators they will be the ones to bring new stories and experiences to audiences like we have never seen before. And finally, any thoughts on the upcoming live-action adaptation? Tom: Ha! Seriously, I'm not sure I have a strong opinion. I like anything that gets people talking about our animated version- even if it is just to compare them once this film comes out. As with all the of "remakes", I just want them to change things a bit. In my opinion, the least successful remakes stick too closely to the original.
Tony: I’m glad they are doing it! While I haven’t been a involved with the production at all, I think I’m just as interested to see what they do as any Mulan fan. I haven’t always been a fan of the remakes that Disney has done though. Many have been slavishly following the animated originals too much. I think they are more successful when they have a unique take on the story and characters. I am hopeful Mulan will be in this latter category.
Tony and Tom Bancroft host a show called The Bancroft Brothers Animation Podcast. Find Tony on Twitter and Instagram, and Tom on Twitter and Instagram.
Nov 08, 2018
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With profiles of 75 fascinating females from Alderaan and beyond, plus brand-new illustrations by incredible female and non-binary artists, this book is evidence that the Star Wars we know and love would not be possible without the women contained in its pages. Check out our interview with Amy Ratcliffe as she speaks about her process, favorite characters, and why we need more books like this one. It’s been a dream of mine to write a Star Wars book, so I'm still pinching myself over seeing my name on Women of the Galaxy. I've been passionate about seeing more representation in the galaxy far, far away, and this book highlights so many incredible characters I've admired and championed. I could not imagine a more fitting topic for my first book. Leia Organa by Jennifer Aberin Johnson In researching the book, what surprised you the most? Though I was familiar with most of the 75 characters featured in the book, I definitely encountered a few new faces and a lot of new details as I revisited stories during my research. For example, with Asajj Ventress, a villain from Star Wars: The Clone Wars, I had forgotten she literally kills a male character who calls her a “pretty bald babe.” Experiencing some of those moments again was such a joy. I mean, I had to spend a lot of time researching in the Star Wars universe—it was a gift.
All the art in this book is so stunning. I can't get over how much emotion and presence the artists brought to each illustration; I feel like I can get a total read on what a character is like by gazing at the portrait. My favorite character is one hundred percent Ahsoka Tano, and because I love the Star Wars Rebel episode that she faces Darth Vader in (“Twilight of the Apprentice”), I was thrilled to see Sara Kipin's art depicting a moment during Ahsoka and Vader's duel.
Something that really hit home for me as I was writing this book, was just how wide a variety of roles and spaces they occupy. Some are heroes and villains, sure, but others are explorers, or business owners, or bounty hunters. I hope some of the profiles in the book encourage fans to seek books or comics they haven't read before so they can learn more and find the characters that they connect with.
I'm kind of floored by how much Star Wars we have to choose from. We have the films, obviously, with Episode IX and a new trilogy and series on the way, but also animated series and the first ever live-action Star Wars TV show. Then on top of that, all sorts of books, comics, and games are being released on a regular basis. I'm excited to see other eras explored and to see a broader view of the galaxy outside of Jedi and the Skywalkers. A lifelong fan of Star Wars, Amy Ratcliffe has written for Star Wars Insider and StarWars.com. She’s a host at Star Wars Celebration and cohosts the Lattes with Leia podcast. Currently, she is a managing editor at Nerdist. Star Wars: Women of the Galaxy is her first book. Find her @amy_geek on Twitter and Instagram. Pick up Star Wars: Women of the Galaxy now!
Nov 03, 2018
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Gallery Nucleus is proud to celebrate Mulan with a tribute exhibition for the film’s 20th anniversary! As destiny would have it, when artist Jisoo Kim received the email asking her to be a part of the show, she was watching Mulan on Netflix. It was simply meant to be. If you are familiar with Nucleus, you’ve probably seen Jisoo’s work before. She has lent her talents to many of our past shows, including our Incredibles 2 Tribute Exhibition, our Disney Television Animation Tribute Exhibition, and Be Our Guest: An Art Tribute To Disney's Beauty and the Beast. After a hugely successful Kickstarter campaign, she published her first collection of illustrations, Kimchicat Vol. 1. Her newest piece for Gallery Nucleus, “Ballad of Mulan”, is a beautiful homage to the film, and we are thrilled to have been able to include it in this exhibition! There is a moment when she makes her decision to go against everything and everyone she knows. She gives a prayer to her ancestors with the hope of receiving their blessing and good fortune. To me this is the moment she was solidifying her conviction, and giving herself the courage to go on. Everyone has to make a decision like this at some point. Going against all the people you love and trust takes an immense amount of courage. Is this really the right thing to do? What if it all goes wrong, and I have nothing to show? But in the end it also gives you strength to carry on when things would be too difficult to continue. Why do you think Mulan continues to resonate with audiences so profoundly, now twenty years after its release? I was talking with Helen Chen and Linda Chen, both distinguished and amazing Chinese-American animation artists, about how Mulan was the Disney movie that made them want to be in animation. As it was the first Disney Animation feature to have an Asian historic story and young Asian characters like ourselves, we were able to truly put ourselves into Mulan's shoes. Those strong impressions that were made when we were young seemed to stay with us for a long time. What, or who, have been your biggest influences on the journey to becoming an artist? My favorite movie to this day is Whisper of the Heart, a Ghibli movie by Yoshifumi Kondo. There's a quote in the movie where the grandfather encourages the main character, "I have seen the light of the jewel inside your heart. You are wonderful. There is no need to rush. Please take your time to polish your talent.” It makes me cry every time. This beautiful quote gave me strength when I was young, and now it has an even deeper meaning: For a paper at CalArts, I wrote about the late Yoshifumi Kondo. He passed away at the young age of 47, and it was said to be because of overwork…The balance between work and life, and keeping your mental and physical health in check, is always a struggle for many artists. Why does animation, in particular, have the ability to connect so deeply with viewers? Stories will always draw people in whatever art form it uses, but I particularly love animation [because] the simplicity in drawing and creating everything you see on the screen has a poetic, hidden delicacy to it. Because it is a created art, it can mean so much more, and draw in so many people and have them relate much more easily. And finally, what are you working on these days? During the day I'm at Warner Brothers on the new Harley Quinn show. During the nights I climb, and I'm hoping to publish a book inspired by climbing soon. Jisoo Kim lives in Los Angeles. She has studied at CalArts and Korea National University of Arts. A hugely accomplished artist and passionate about animation, Jisoo has worked for Disney, Dreamworks, and Frederator Studios. Prints of “Ballad of Mulan” are available on our website. Follow Jisoo on Instagram @jisookimcat and on Twitter @jisooK. Stop by Gallery Nucleus through November 4th to check out our Tribute Exhibition For Mulan’s 20th Anniversary!
Mar 17, 2017
posted by: Kenneth
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Thanks to the people at Nobrow and Lorena herself, I was able to ask the creator a few questions that I had about Nightlights and the creative process that went into its making: 1. Can you tell me a little about yourself and the path you took that brought you into illustration and creating Nightlights?
8. Finally, can you tell us of any future projects?
Aug 24, 2016
posted by: Kenneth
Nucleus: Hi MALL, thanks for taking the time out of your busy schedule to chat with us. MALL: No problem, thanks for sending me questions! Nucleus: We’ve been excited to hear your answers! To begin, let’s talk about the title of your solo show: Babu's Daydream. Would you consider Babu your alter ego? MALL: Yes, absolutely. NUCLEUS: It’s an evident connection considering how whimsical you both appear to be. We noticed that Babu and Abu are recurring characters in many of your pieces—can you tell us a bit about their story? MALL: They are my personal characters who explore mysterious forest places and dreams, discovering odd and weird creatures along the way... Just like the comics of Winsor McCay's Little Nemo in Slumberland, but with a mostly forest-themed motif. NUCLEUS: We sensed a sort of Winsor McCay-an vibe to those two. You seem to be big on forests! Is there something characteristically unique about creating art on tree wood that makes it a special canvas to work on? MALL: For my wood art, the paint actually absorbs faster. My new pieces involve washi tape art on resin-covered wood! NUCLEUS: From the looks of it, you’ve figured out a way to make all the different mediums work in harmony. Which is your favorite medium? Do you import your washi tapes from somewhere specific or shop locally for it, perhaps? MALL: Oh, my favorite medium is pencil on paper because it's easier and more comfortable to use! Yes, I purchased washi tapes from different online shops like Rakuten Japan, Pinkoi and Etsy. Oh gosh, I’m not sure how many washi tapes I have, too many to count, haha... NUCLEUS: Maybe your next show with us can be nothing but washi tape. Let’s switch gears for a bit: what’s the most challenging part of your art process? MALL: Mmmm, the most challenging part of being an artist is to try and push the barriers, to come up with new and thrilling mediums to create something that will make a difference in people's lives... which will make them want to dream and connect to that piece. The whole purpose of art is to make people discuss what they saw and analyze it at all levels. Also... Making sculptures. Sometimes I make mistakes during my art process, but at least I can fix them again! NUCLEUS: We agree that art is about making a connection—about making people have a conversation about the art—and that this can be tough to do! Here’s another fastball: What's the most difficult thing you've ever done in your life? MALL: Major depression, suicidal disorder and crazy health issues like this: NUCLEUS: Looking at this illustration evokes so many emotions that we can’t imagine how it must’ve been to go through all of that. We’re so glad that you’re doing better now MALL! There’s a common thread throughout the pieces in your exhibition and it’s that they all seem infused with personal energy, with a variety of emotions which are clearly motivated by your life. How have your health challenges affected or influenced your artwork? MALL: Well, my very first health challenge that influenced me would be my inborn hearing deficiency. Having a hard time interpreting the things around me, pictures, images and symbols helped me a lot since they are easier to understand compared to words. Art became my foundation, strength, and it destroyed communication barriers to my social life. I suffered from my major depression / suicidal disorder again when I had serious health issues; I felt quite paranoid, hopeless and negative. My good friends visited me at the hospital and gave me a new sketchpad, pencil and colored pencils. So I tried to draw art during my recovery period, which made me focus on positivity, bravery, and motivation. It became my outlet for my inner thoughts and emotions. And yeah, I surprisingly noticed that my style seemed improved; maybe because I was way too serious about focusing on art, haha. NUCLEUS: It’s probably safe to say that you wouldn’t be the same person you are today had you not gone through these trials and hardships. When all is said and done, maybe the only things we really need are good friends and a good sketchbook! Switching gears yet again: we know that dreams, nightmares, nature and folk music are things that heavily inspire you… Are there specific examples which you’d like to share with us? MALL: Sometimes I draw/paint my dreams and nightmares if I remember them—I then add my characters like Babu and Abu, creating a world for their adventures! As for inspirations, I am extremely inspired by one of my favorite “surrealistic” movies, Dreams by Akira Kurosawa. The scenes were beautiful and eerie. NUCLEUS: That beauty and eeriness definitely translates into your work. Akira Kurosawa seems to be a point of fascination for several of us then... So many films (he directed around thirty), so little time! Some of us here at the gallery are Filipino, one of the things that excites us about you as an artist is the fact that you’re vocal about your roots! Have you ever considered doing art that taps into your Filipino heritage or Philippine culture in general? MALL: Wow, so happy to know that Filipinos work at Nucleus—say hi to them for me! :) Yes, in fact, I have worked on artworks / commissioned commercial work about the Philippine culture in the past... But as of this moment, no. NUCLEUS: Last but certainly not least, what are you most proud of? MALL: I’m really proud of myself. Even with all the hardships—physically, emotionally and mentally—I was able to endure and face them; none of this would have been possible without the help and support of my family, relatives, friends and my boyfriend, who never gave up on me. NUCLEUS: We’re really proud of you too, MALL. Keep pushing boundaries and daring us to dream. ArchiveDecember 2018November 2018 March 2017 August 2016 January 2015 May 2014 November 2013 October 2013 May 2013 October 2012 September 2012 August 2012 June 2012 May 2012 April 2012 March 2012 February 2012 January 2012 December 2011 November 2011 October 2011 September 2011 August 2011 July 2011 June 2011 May 2011 April 2011 March 2011 February 2011 January 2011 December 2010 November 2010 October 2010 September 2010 August 2010 July 2010 June 2010 May 2010 April 2010 March 2010 February 2010 January 2010 December 2009 November 2009 October 2009 September 2009 August 2009 July 2009 June 2009 May 2009 April 2009 March 2009 February 2009 January 2009 December 2008 November 2008 October 2008 September 2008 August 2008 July 2008 June 2008 May 2008 |